Aztec

The Aztec people were certain ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to 16th centuries. "Aztec" (Nahuatl pronunciation: [astekaʔ]) is the Nahuatl word for "people from Aztlan", a mythological place for the Nahuatl-speaking culture of the time, and later adopted as the word to define the Mexica people. Often the term "Aztec" refers exclusively to the Mexica people of Tenochtitlan (now the location of Mexico City), situated on an island in Lake Texcoco, who referred to themselves asMexica Tenochca or Colhua-Mexica.

Sometimes the term also includes the inhabitants of Tenochtitlan's two principal allied city-states, the Acolhuas of Texcoco and the Tepanecs of Tlacopan, who together with the Mexica formed the Aztec Triple Alliance which controlled what is often known as "the Aztec Empire". In other contexts, Aztec may refer to all the various city states and their peoples, who shared large parts of their ethnic history and cultural traits with the Mexica, Acolhua and Tepanecs, and who often also used the Nahuatl language as a lingua franca. In this meaning it is possible to talk about an Aztec civilization including all the particular cultural patterns common for most of the peoples inhabiting Central Mexico in the late postclassic period.

From the 13th century, the Valley of Mexico was the heart of Aztec civilization: here the capital of the Aztec Triple Alliance, the city of Tenochtitlan, was built upon raised islets in Lake Texcoco. The Triple Alliance formed a tributary empire expanding its political hegemony far beyond the Valley of Mexico,conquering other city states throughout Mesoamerica. At its pinnacle Aztec culture had rich and complex mythological and religious traditions, as well as reaching remarkable architectural and artistic accomplishments. In 1521 Hernán Cortés, along with a large number of Nahuatl speaking indigenous allies, conquered Tenochtitlan and defeated the Aztec Triple Alliance under the leadership of Hueyi Tlatoani Moctezuma II. Subsequently the Spanish founded the new settlement of Mexico City on the site of the ruined Aztec capital, from where they proceeded with the process of colonizing Central America.

Aztec culture and history is primarily known through archaeological evidence found in excavations such as that of the renowned Templo Mayor in Mexico City; from indigenous bark paper codices; from eyewitness accounts by Spanish conquistadors such as Hernán Cortés and Bernal Díaz del Castillo; And especially from 16th and 17th century descriptions of Aztec culture and history written by Spanish clergymen and literate Aztecs in the Spanish or Nahuatl language, such as the famous Florentine Codex compiled by the Franciscan monk Bernardino de Sahagún with the help of indigenous Aztec informants.

Mummy

A mummy is a body, human or animal, whose skin and organs have been preserved by either intentional or incidental exposure to chemicals, extreme coldness (ice mummies), very low humidity, or lack of air when bodies are submerged in bogs, so that the recovered body will not decay further if kept in cool and dry conditions. Some authorities restrict the use of the term to bodies deliberately embalmed with chemicals, but the use of the word to cover accidentally desiccated bodies goes back at least to the 1730s.

Mummies of humans and other animals have been found all around the world, both as a result of natural preservation through unusual conditions, and as cultural artifacts. Over one million animal mummies have been found in Egypt, many of which are cats. The oldest known naturally mummified human corpse is a decapitated head dated as 6,000 years old, found in 1936 at the site named Inca Cueva No. 4 in South America.

In addition to the well-known mummies of Ancient Egypt, deliberate mummification was a feature of several ancient cultures in areas of South America and Asia which have very dry climates. There are more than 1000 mummies in Xinjiang, China. The oldest-known deliberate mummy is a child, one of the Chinchorro mummies found in the Camarones Valley, Chile, and dates from around 5050 BC.

Etymologi and meaning

The English word mummy is derived from medieval Latin mumia, a borrowing of the Persian word mūm (موم), which means "bitumen". Because of the blackened skin, bitumen was once thought to be used extensively in ancient Egyptian embalming procedures.^{[citation needed]} (See also: Mummia.) In English "mummy" as a term for a "medical preparation of the substance of mummies" is recorded from c. 1400, earlier than the sense of a complete body, with Richard Hakluyt in 1599 complaining that "these dead bodies are the Mummy which the Phisistians and Apothecaries doe against our willes make us to swallow".

The OED gives as its sense 3 "the body of a human being or animal enbalmed (according to the ancient Egyptian or some analogous method) as a preparation for burial", citing sources from 1615 onwards, later than the first uses of other senses that include ground up mummy used as "a medicinal preparation", which dates to c. 1400. However sense 3c: "A human or animal body desiccated by exposure to sun or air. Also applied to the frozen carcase of an animal imbedded in prehistoric ice", is cited to Chamber's Cyclopaedia, 1727-41, and the Victorian zoologist Francis Trevelyan Buckland.

The Egyptian mummification process

The first evidence of intentional mummification in Egypt dates to 3500 B.C. Parts of mummified human bodies recovered from Hierakonpolis exhibit evidence of resin and linen wrappings.

The earliest intact Egyptian mummy, ID #32751, dates to approximately 3400 BC, and is currently held in the British Museum. Mummy 32751 was previously nicknamed "Ginger" for its hair color, but this practice was stopped in 2004, in order to afford more dignity to human remains. Mummy #32751 was an adult male; the exact age at death is uncertain. It was apparently preserved by direct contact with the dry desert sand, though it is uncertain whether the mummification was intended. Pottery vessels were recovered from the grave, but their significance is uncertain.

From the Middle Kingdom onwards, embalmers used salts to remove moisture from the body. The salt-like substance found on the banks of salt lakes, natron, dried out and preserved more flesh than bone. Once dried, mummies were ritualistically anointed with oils and perfumes. The emptied body was then covered in natron, to speed up the process of dehydration and prevent decomposition. Natron dries the body up faster than desert sand, preserving the body more effectively. Often finger and toe protectors were placed over the mummy's fingers and toes to prevent breakage. They were wrapped with strips of white linen to protect the body from being damaged. After that, they were wrapped in a sheet of canvas to further protect them. Many sacred charms and amulets were placed in and around the mummy and the wrappings. This was intended to protect the mummy from harm and to give good luck to the Ka of the mummy. Once preserved, they were lain to rest in a sarcophagusinside a tomb, where it was believed that the mummy would rest eternally. The mummy's mouth would later be opened in an ritual designed to symbolize breathing, giving rise to legends about resurrected mummies. In some cases, a mummy has been discovered in an unmolested tomb, only to be found in a state of advanced decomposition due to the proximity of the water table. This was the case with the discovery in 1998 of the mummy of Iufaa, an Egyptian priest and administer who lived around 500 BC.

The most famous Egyptian mummies are those of Seti I and Rameses II (13th century BC).

Final Fantasy X-2 -1000 Words (Japanese Verson)

Ini lagu berbahasa jepang yang pertama kali gue suka. Gue terakhir denger tuh kelas 2 sd, hmm sekitar 6 tahunan lah gue ngga denger lagu in,i tapi gue masih inget dikit2 dari liriknya. Ya walaupun salah2 dan nadanya kurang tepat wkwk, yaudahlah.....Cekidot!

Kimi no kotoba wa
Yume no yasashisa kana?
Uso wo zenbu
Oikakushiteru
Zurui yo ne

Tabidatsu kimi ni
Sameta senaka misete
Kiiteita yo
Hitori tatakau no?
Zurui yo ne

"Kaettekuru kara"
Oikoshiteyuku kimi no koe
Iji hatte
Tsuyoi furi
Toki wo modoshite
Sakebeba yokatta?
Ikanai de to namida koboshitara?
Ima wa dekiru
Donna koto mo

Ienakatta
1000 no kotoba wo
Haruka na
Kimi no senaka ni okuru yo
Tsubasa ni kaete
Ienakatta
1000 no kotoba wa
Kizutsuita
kimi no senaka ni yorisoi
dakishimeru

Yume no tsuduki wa
Kimi wo omoinagara
Ano hi no koto
Wasureta furishite
Zurui yo ne

"Tegami wo kaku kara"
Shisen sorashita kimi no koe
Iji hatte
Tsuyoi furi
Toki wo modoshite
Okoreba yokatta?
Matenai yo to kata wo otoshitara?
Ima wa dekiru
Donna koto mo

Kikoeteru?
1000 no kotoba wo
Mienai
Kimi no senaka ni okuru yo
Tsubasa ni kaete
Kikoeteru?
1000 no kotoba wa
Tsukareta
Kimi no senaka ni yorisoi
Dakishimeru

Ienakatta
1000 no kotoba wo
Lalalala..
Kimi no senaka ni okuru yo
Tsubaksa ni kaete
Kikoeteru?
1000 no kotoba wa
Lalalala..
Kimi no senaka ni yorisoi
Lalalalala....

Lenka - Trouble Is A Friend

Freaky sunday-_-

Hey.. I'm back

Udah lama gue ngga nge-post di blog, maklum orang sibuk ;p *apasih* hahaha-_-

Jadi waktu hari minggu ada latihan nari di sekolah. Nah pertama baru gue sama ajeng doang yang dateng, yang lainnya belom pada dateng. Gila, gue sama ajeng panas2an nungguin yang lain di depan pintu gerbang, mana masih digembok pula . yaudah akhirnya gue sama ajeng nyeberang mau ngadem sama beli minuman. Terus beberapa lama kemudian pak wasis dateng, yaudah kita masuk aja ke sekolah. Baru deh sintya dan yang lain menyusul masuk. Sebenernya gue males latihan nari. udah panas2an, di lapangan pula. Bisa lo bayangin ngga sih? ha Setelah bikin komposisi buat tarian papua, disuruh istirahat. Finally!!!-_- Dengan baik hati si wise man (baca : pak wasis) nraktir mie ayam (Y) Udah kan, gue ajeng sintya sama maisya makan mie ayamnya di bawah, deket pos. Sumpah kali ini maisya bener2 ngelawak, jadi pas lagi istirahat, pak wasis lagi melakukan kegiatan apatau, gue ngga tau namanya. Jadi yang jelas, si maisya bilang kalo gayanya itu kayak ballerina, terus yang satunya kayak lagi mengumpulkan energi2 gitu, seakan dunia milik dia, wkwkwk. Gue ngakak sama sintya ajeng xD ----- gue maisya sama ajeng udah kenyang banget gila, tapi mie ayamnya belom abis. Kan sayang, terus ngga enak sama wise man nya kalo dibuang gitu aja. Yaa alhasil mau ngga mau gue ngebuang mie ayamnya di katong plastik yang berserak dia deket kursi. Ngga tau kenapa gue ngakak bahagia banget, saking ngga mau ketahuannya sama pak wasis. Habis si maisya tampangnya kocak, mana mie ayamnya yang seharusnya di buang di tempat sampah deket pos, malah maisya buang di got depan 252. Mie ayam bekas gue sama maisya berserakan dimana2. hiii untung abang2 yang jualan mie ayamnya kaga tau perbuatan maisya. Lol

Oh iya pas selesai istirahatnya, dateng tuh kayak iket kepala buat nari nya gitu, ada khas nya dari papua. Terus kan si maisya sama ajeng di pasangin sama pak wasis, gue whisper ke sintya "Duh so sweet" si sintya langsung ngakak. Tapi ketauan sama maisya deh, lol hahaha

Nangis gue karna ketawa2 mulu pas latihan nari hahaha

Sekian

Asal Muasal dan Pencipta Piano & Biola

PIANO

Piano adalah alat musik yang dimainkan dengan jari-jemari tangan. Pemain piano disebut pianis.
Pada saat awal-awal diciptakan, suara piano tidak sekeras piano abad XX-an, seperti piano yang dibuat oleh Bartolomeo Cristofori (1655 – 1731) buatan 1720. Pasalnya, tegangan senar piano kala itu tidak sekuat sekarang. Kini piano itu dipajang di Metropolitan Museum of Art di New York.
Meskipun siapa penemu pertama piano, yang awalnya dijuluki gravecembalo col piano e forte (harpsichord dengan papan tuts lembut dan bersuara keras), masih menjadi perdebatan, banyak orang mengakui, Bartolomeo Cristofori sebagai penciptanya. Piano juga bukan alat musik pertama yang menggunakan papan tuts dan bekerja dengan dipukul. Alat musik berprinsip kerja mirip piano telah ada sejak 1440.
Piano sendiri lahir dari keinginan untuk menggabungkan keindahan nada clavichord dengan kekuatan harpsichord. Hasrat itu mendorong Marius dari Paris (1716), Schroter dari Saxony (1717), dan Christofori (1720) dari Padua, Italia, untuk membuat piano. Namun, hasil utuh dan lengkap cuma ditunjukkan Bartolomeo Christofori. Dari piano ciptaan pemelihara harpsichord dan spinet (harpsichord kecil) di Istana Florentine - kediaman Pangeran Ferdinand de’Medici - inilah piano modern berakar.
Pada pertengahan abad XVII piano dibuat dengan beberapa bentuk. Awalnya, ada yang dibuat mirip desain harpsichord, dengan dawai menjulang. Piano menjadi lebih rendah setelah John Isaac Hawkins memodifikasi letaknya menjadi sejajar lantai. Lalu, dengan munculnya tuntutan instrumen musik lebih ringan, tidak mahal, dan dengan sentuhan lebih ringan, para pembuat piano Jerman menjawabnya dengan piano persegi. Sampai 1860 piano persegi ini mendominasi penggunaan piano di rumah.
Rangka untuk senar piano pertama menggunakan rangka kayu dan hanya dapat menahan tegangan ringan dari senar. Akibatnya, ketika pada abad XIX dibangun gedung-gedung konser berukuran besar, suara piano tadi kurang memadai. Maka, mulailah dibuat piano dengan rangka besi. Sekitar tahun 1800 Joseph Smith dari Inggris membuat suatu piano dengan rangka logam seluruhnya. Piano hasil inovasinya mampu menahan tegangan senar sangat kuat, sehingga suara yang dihasilkan pun lebih keras. Sekitar 1820, banyak pembuat menggunakan potongan logam untuk bagian piano lainnya. Pada 1822, Erard bersaudara mematenkan double escapement action, yang merupakan temuan tersohor dari yang pernah ada berkaitan dengan cara kerja piano.
Dalam perkembangannya, sebelum memiliki 88 tuts seperti sekarang, piano memiliki lima oktaf dan 62 tuts. Ia juga dilengkapi dengan pedal. Semula pedal itu digerakkan dengan lutut. Namun, kemudian pedal kaki yang diperkenalkan di Inggris menjadi populer hingga sekarang.
Sejumlah pengembangan berlanjut pada abad XIX dan XX. Tegangan senar, yangg semula ditetapkan 16 ton pada tahun 1862, bertambah menjadi 30 ton pada piano modern. Hasilnya adalah sebuah piano dengan kemampuan menghasilkan nada yang tidak pernah dibayangkan Frederic Chopin, Ludwig van Beethoven, dan bahkan Franz Liszt.
Sebuah perkembangan nyata di abad XX (berawal di tahun 1930-an) adalah kehadiran piano elektronik (atau piano listrik), yang didasarkan pada teknologi elektroakustik atau metode digital. Nada suaranya terdengar melalui sebuah amplifier dan loudspeaker.
Dari sisi mutu suara, piano elektronik nyaris tak ada bedanya dengan piano biasa. Perbedaan terletak pada berbagai fitur yang melengkapinya. Fitur itu tentu tidak ada sama sekali dalam piano biasa. Misalnya, bisa dihubungkan dengan perangkat MIDI, komputer, alat rekam; memiliki pengatur volume, tusuk kontak untuk pendengar kepala; dan sebagainya.

*****

BIOLA

Pada mulanya biola digunakan bersama instrumen musik lain untuk mengiringi tarian.
Saat itu biola dianggap sebagai alat musik dari kalangan bawah namun kemudian menjadi instrumen solo selama abad ke-17. Biola berasal dari Italy pada sekitar tahun 1500-an. Instrumen gesek mungkin berasal dari instrumen-instrumen seperti Viele, fiedel, rebec, dan dari Lira da braccio pada masa Renaissans. Walaupun demikian tampaknya ada instrumen lain bernama Viol dengan enam dawai di Eropa, yang telah ada sebelum biola dan keberadaanya berdampingan dengan rebec dan keluarganya selama sekitar 200 tahun.

Pada tahun 1600 an biola memperoleh penghargaan yang lebih baik setelah digunakan sebagai instrumen pengiring opera-opera Italia seperti Orfeo (1607) karya Claudio Monteverdi, dan melalui Raja Louis Perancis ke XIII yang membentuk kelompok pemusik, 24 violos du rei (‘’raja 24 biola’’) pada tahun 1626. Biola bekembang baik sepanjang jaman Barok (1600-1750?) dalam karya-karya dari para pencipta seperti Arcangelo Corelli, Antonio Vivaldi, dan Giuseppe Tartini di Itali, Heinrich Biber, serta Georg Philipp Telemann dan Johann Sebastian bach di Jerman. Biola menjadi dasar dari alat musik solo concerto, concerto grosso, sonata, trio sonata, dan cocok sebagus yang digunakan dalam opera.

Para pembuat biola pertama yang berasal dari Italia Utara di antaranya ialah Gasparo da Salo (1540-1609) dan Giovanni Maggini (1579-1630?) dari Brescia, dan Andrea Amati dari Cremona. Pada abad ke-17 dan ke-18 telah ada bengkel pembuat biola di Italia, yaitu dari Antonio Stradivari dan Giuseppe Guarneri dari Cremona dan seorang orang Austria Jacob Stainer.

Biola terdahulu berukuran lebih pendek; lehernya lebih tebal dan kurang membelok ke belakang dari permukaan biola; papan jari yang lebih pendek; kam-nya lebih datar; dan dawainya terbuat murni dari dari usus binatang. Busur biola yang pertama juga memiliki desain berbeda dengan biola sekarang. Perubahan konstruktif yang mendasar, yang menghasilkan bunyi lebih keras, nyaring, dan nada yang lebih bagus, terjadi pada abad ke 18 dan 19.

Pada pertengahan abad ke-18 biola adalah instrumen solo terpopuler di Eropa. Biola juga dijadikan alat musik pada orkestra, alat yang paling penting dimainkan era Barok dan Klasik(1750?-1820); dan pada orkestra modern juga masih menjadi alat yang paling penting untuk dimainkan. Kelompok biola berkembang dengan jumlah lebih dari pemainnya yang dimainkan di ruang kecil terdiri dari dua biola, viola dan cello.

Selama abad ke-19 pemain biola yang melegenda di seluruh Eropa, di antaranya ialah Giovanni Viotti dan Nicolo Paganini, Louis Sphor dan Joseph Joachim dari Jerman, Pablo de Sarasate dari Spanyol, dan Henri Vieuxtemps dan Eugene Ysaye dari Belgia. Pada abad ke-20 biola mencapai nilai artistik yang baru dan teknik yang tinggi di tangan para pemain biola Amerika, Isaac Stern dan Yehudi Menuhin, keturunan Austria Fritz Kreisler, keturunan Rusia Jascha Heifetz, Mischa Elman dan Nathan Milstein yang menjadi penduduk Amerika, biolis Hongaria Joseph Szigeti, dan David Oitsrakh dari Rusia.

Di antara para pencipta tunggal dan para pencipta karya-karya untuk biola adalah Bach, Wolfgang Amadeus Mozart, dan Ludwig van Beethoven; di Austria ada Franz Schubert, Jerman diwakili oleh Johannes Brahms, Felix Mendelssohn, dan Robert Schumann, dan dari Rusia ialah Peter llyich Tchaikovsky di era yang penuh dengan keromantisan; Claude Debussy meakili Perancis, sedangkan untuk Austria ialah Arnold Schoenberg, dari Hungaria ialah Bela Bartok, dan Rusia diwakili oleh Igor Stravinsky pada abad ke 20.

Bruno Mars - Talking To The Moon

I know you're somewhere out there
Somewhere far away
I want you back
I want you back
My neighbors think
I'm crazy
But they don't understand
You're all I have
You're all I have

Chorus:

At night when the stars
light up my room
I sit by myself

Talking to the Moon
Try to get to You
In hopes you're on
the other side
Talking to me too
Or am I a fool
who sits alone
Talking to the moon

I'm feeling like I'm famous
The talk of the town
They say
I've gone mad
Yeah
I've gone mad
But they don't know
what I know

Cause when the
sun goes down
someone's talking back
Yeah
They're talking back

At night when the stars
light up my room
I sit by myself
Talking to the Moon
Try to get to You
In hopes you're on
the other side
Talking to me too
Or am I a fool
who sits alone
Talking to the moon

Ahh Ahh,
Ahh Ahh,

Do you ever hear me calling?
Cause every night
I'm talking to the moon
Still trying to get to you

In hopes you're on
the other side
Talking to me too
Or am I a fool
who sits alone
Talking to the moon

I know you're somewhere out there
Somewhere far away

Rabu, 23 Februari 2011

Hello guys.. Udah lama gue ngga nge-post. Gue pengen nyeritain kejadian2 yang terjadi pada hari ini. Okeh gue mulai

Jam pelajaran pertama kosong, jadi gue sama yang lain ya main-main seperti biasa. Eh tapi gue sama adisti ngga deng. Gue disuruh adistu ngebuat not balok gitu + lagunya, terus adisti nebak deh. Haha sebelum itu adisti minta diajarin gue tentang not balok. Eh pas lagi ngejelasin ada aja sih yang jb jb-_- Dody dan yasmine. Sebenernya sih males hahaha yaudah gue cuekin dody haha sorry ye dod. Terus pas gue udah selesai adisti nebak gitu dan dia mendapatkan nilai sempurnaaa--> 100! Haha akhirnya gue bisa ngajar juga, lumayan buat modal ntar gue jadi guru piano. Hhaha

Terus pas adisti lagi buat lagu pelangi-pelangi dan cicak2 di dinding, si yasmine nyebut nama gue dan adisti 7 kali *serius* haha ngga deng bercanda. Cuman manggil 2 kali doang, dia ngajakin main JUNET. Tapi gue sama adisti menolak, lagian kan tadi di suruh diem, Gue sama adisti takut aja kalo kepala sekolah masuk. Oh iya ngomong-ngomong soal JUNET, gue jadi inget deh pas si akbar lagi ketawa, kata adisti "Apasih anak Junet", anjirr ngakak gue. Baru pertama kali gue ngedenger adisti ngatain akbar nama bokapnya. Wkwk. Eh habis itu ya, bener deh kepala sekolah masuk. Pada berisik sih main junetnya! Woo terus diceramahin gitu deh sama bu kepala sekolah-__- Males banget sih sebenernya. Kata bu rheni(ngga tau tulisannya) kalo anak bilingual itu tuh harus ngomong pake bahasa inggris sesama temen maupun guru. Mulai dari hari ini, yaudah dalam hati gue "I'll try, maam". Tapi ya udah gue duga percakapan bahasa inggris ini ngga akan lama, paling besok dan seterusnya ngomong bahasa indonesia lagi-_- hehe Udah kan habis itu pelajaran bahasa indonesia *skip*

Kemudian ips. Nah pas ips kan dibagiin hasil kerja kelompok minggu lalu, terus si arkan tuh protes ke bu cut. Nah dimulailah ceramah bu cut, sambil marah2 pula. ya gue tau bu cut marah2 demi kebaikan kita, tapi ya bukannya gimana, ya gitu deh *apa sih ngga jelas* Pokoknya hari ini hari sial banget sih buat kelas 88 -__-
Bel pulang pun berbunyi, terus pas gue, adisti, sama sintya mau keluar sekolah, belakang kita ada bu rusmini. Bu rusmini kaga jelas deh, masa ngomong sendiri. Hahaha lawak deh ibu-_- Kita ketawa2 ajah deh. Oh iya kan kelas dipake kelas 9 buat latihan senam gitu kan, tarus pas gue masuk kelas.....wuanjeer bau sikil. Najong dah! Ngga enak banget sih kalo punya penciuman yang tajam. Huaa enough.

Terus pas gue pulang sama adisti naik angkot, gue ternyata seangkot sama temen sd gue. Pengen gue panggil tapi ngga sempet, yah sayang banget udah dari kelas 5 ngga ketemu. Terus angkotnya kan berhenti di depan bengkel sebelah 05, terus gue ngeliat ada orang gitu miriiiiiiiiiiiiiiiiiiiiiip banget sama arkan. tatapannya itu loh yang membuat dirinya tambah mirip sama arkan, yaa 11/12 lah. Tapi sumpah mirip banget, gue sama adisti ketawa2, tapi masa kata adisti beda jauh. Ah payah lu dis ngga bisa nyamain orang itu sama arkan. Haha canda dis :) Terus pas gue naik mikrolet 26 dari transito, gue ketemu miss. ghita deh. Udah kangen deh gue sama ms ghita, males gue diajarin Lia nya sama si alden! Hu padahal sama ms ghita seru banget--- Udah deh, habis itu gue turun didepan superindo, yaaah dadah disti :* muah muah (?) apasih dhir-_- Udah kan habis itu pas gue lagi nyeberang diseberangin sama satpam lia galaxy, kata dia sih sekalian nyeberang. Mau beli kopi kali ya di warung seberang hahaha *ngga penting* Oh iya pas gue lagi jalan menuju rumah gue,,,, gue ngeliat ada anak SMA gitu miriip sama kak aan. Tapi bedanya, ini versi kurusnya. Hahaha (secara tidak langsung gue mengatakan kalo kak aan itu yaaaa gendut)

skip

Karena hari senin gue, dita,beiby, sama ajeng ngga lia ya hari ini gue lia aja. Daripada di absen, ya masuk ngga masuk sih aldn tetep ngga peduli sih kehadiran kita. Huh boam lah ngurusin aldn. Masuk ke lesson 9.... Di lesson 9 belajar obligation sama assumtion. Terus, dibuat kelompok gitu. Gue sama dita, ajeng, dan anak salah satu guru di Lia, aulia. Pas lagi ngerjain exercise di lesson 9, ada soal yang mengutip "neg" yang berarti negative. Jadi di soal itu ditulisnya (have, neg). Harusnya jawabannya kan "don't have" tapi ada temen gue di lia, namanya......kasih tau ngga ya? Namanya......ngga deh kasian sama orang nya, wkwkwk. Dia jawabannya "haven't neg". Spontan gue, yang lain sama mr alden ketawa2 gitu. Ya iya lah kocak banget sih lu habisnya, masa jawabannya "haven't neg" anjiiir ngakak bet gue. Eh tapi yang paling ngakak tuh ajeng, ngga tau kenapa ketawanya ngga nahaaaan banget, oh iya aldn gue ketawa sampe mau nangis kayaknya..ditutupin buku sih mukanya. Haha parah bet aldn. Sorry ya kalo ada kata2 yang ngga dimengerti. Ngga suka? Ya ngga usah baca-__-

Sekian dan terimakasih

Time To Say Goodbye Andrea Bocelli and Sarah Brightman.flv

Gile, suaranya boo. Pengen banget punya suara kayak gitu-_-

Sara Bareilles - Love Song

Sara Bareilles - Gravity

Sara Bareilles - King Of Anything

SS501 - In A Rush ((LIVE)) Original by BlackStreet

Lenka - The Show (New Version)

I WISH SOMEONE WILL DO THIS TO ME :D

Girl has been ignoring boy for a couple days.
Boy: Talk to me!
Girl: (Shakes head) No.
Boy: Please!
Girl: Why should i?
Boy: Because im going crazy without you.
Girl: So.
Boy: Come on! ="((( I miss you sooo bad.
Girl: Not my problem.
Boy: Dont act like you dont miss me too!
Girl: I dont.
Boy: Was what i did really that bad?
Girl: If it wasnt do you think this would be happening?
Boy: I told you im sorry! What else do you want??
Girl: I want you to leave me alone.
Boy: You know thats not what you really want.
Girl: Yes, it is.
Boy: Well thats one thing i could never do for you.
Girl: Well what can you do?
Boy: Whatever you want me to do.
Girl: Figure something out.
Boy: Fine, How about an apology, 10 reasons why you should forgive me, 10 reasons why i need, you and 10 reasons why i love you.
Girl: Okay. Do that and i’ll see.
Boy: ______ I am sooo sorry. What i did was wrong. I would never ever do anything like that ever again. I need you. I dont know what i would do if i lost you. I will do anything to gain your forgiveness. I truly am sorry. Reasons why you should forgive me: I LOVE you. I NEED you. I would fall apart without you. I would miss you. I love you. I would feel horrible for the rest of my life. No one could ever take your place. No one could love you the way i do. Or as much as i do. I love you. 10 reasons why i need you: Your always there for me. Your an amazing friend. You love me. I wont ever find another human being like you. You never give up on me. You see past my flaws. You go through all kinds of things with me that no one else ever would. You keep me out of trouble. You are everything i could ask for. 10 reasons why i love you: Your beautiful, inside. And out. Your sweet. Your loving. Your Caring. Your smart. Your fun. Your adventorous. They say no one is perfect,. But they’re wrong. You are perfect. ______ I miss you. SO much. Please please please forgive me. I need you. And only you. Forever. <3
Girl: :O.
Boy: WHAT!?
Girl: Wow, Uhm. _____ I…
Boy: You what??
Girl: I love you.
Boy: I love you too.
Girl: I forgive you. <3
Boy: Great, Fantastic, Amazing <33 :] Now will you do one more thing for me?
Girl: What is it?
Boy: Be mine. And only mine. Forever. ?
Girl: Yes <333
Boy: I am NEVER going to lose you. I promise. <3
We’re getting married tomorrow <3>

Listen-Beyonce

Listen to the song here in my heart
A melody I start but can't complete
Listen to the sound from deep within
It's only beginning to find release

Oh, the time has come for my dreams to be heard
They will not be pushed aside and turned
Into your own all 'cause you won't
Listen

Listen, I am alone at a crossroads
I'm not at home in my own home
And I've tried and tried to say what's on mind
You should have known

Oh, now I'm done believing you
You don't know what I'm feeling
I'm more than what you made of me
I followed the voice you gave to me
But now I've gotta find my own

You should have listened, there is someone here inside
Someone I thought had died so long ago
Oh, I'm screaming out and my dreams'll be heard
They will not be pushed aside on words
Into your own all 'cause you won't
Listen

Listen, I am alone at a crossroads
I'm not at home in my own home
And I've tried and tried to say what's on mind
You should have known

Oh, now I'm done believing you
You don't know what I'm feeling
I'm more than what you made of me
I followed the voice you gave to me
But now I've gotta find my own

I don't know where I belong
But I'll be moving on
If you don't, if you won't

Listen to the song here in my heart
A melody I start but I will complete

Oh, now I'm done believing you
You don't know what I'm feeling
I'm more than what you made of me
I followed the voice you think you gave to me
But now I've gotta find my own, my own

"Bluebird" Sara Bareilles Video Collage

Bluebird lyrics

Word came through in a letter,
One of us changing our minds.
You won't need to guess who, since I usually do,
Not send letters to me that are mine.

Told you I saw this coming,
That I'd practically packed up my things.
Was glad at the time that I'd said I was fine but,
All honesty knows, I wasn't ready, no.

And so here we go bluebird,
Back to the sky on your own.
Oh let him go bluebird,
Ready to fly,
You and I,
Here we go.
Here we go.

This pair of wings worn and rusted,
From too many years by my side,
They can carry me swear to be,
Sturdy and strong but see,
Turning them on still means goodbye.

And so here we go bluebird,
Gather your strength and rise up.
Oh let him go bluebird.
Oh let him go bluebird.
Oh let him go bluebird.
Ready to fly,
You and I,
Here we go.
Here we go...

CLICK THIS ONE!

"Stickwitu"

I don't wanna go another day,

So I'm telling you exactly what is on my mind.

Seems like everybody's breaking up

Throwing their love away,

But I know I got a good thing right here

That's why I say (Hey)

[Chorus:]

Nobody gonna love me better

I must stick with you forever.

Nobody gonna take me higher

I must stick with you.

You know how to appreciate me

I must stick with you, my baby.

Nobody ever made me feel this way

I must stick with you.

I don't wanna go another day

So I'm telling you exactly what is on my mind.

See the way we ride in our private lives,

Ain't nobody getting in between.

I want you to know that you're the only one for me (one for me)

And I say

[Chorus]

And now

Ain't nothing else I can need (nothing else I can need)

And now

I'm singing 'cause you're so, so into me.

I got you,

We'll be making love endlessly.

I'm with you (baby, I'm with you)

Baby, you're with me (Baby, you're with me)

So don't you worry about

People hanging around,

They ain't bringing us down.

I know you and you know me

And that's all that counts.

So don't you worry about

People hanging around,

They ain't bringing us down.

I know you and you know me

And that's why I say

[Chorus x2]

Puttin' on The Ritz

If you're blue and you don't know
where to go to why don't you go
where fashion sits
Puttin' on the Ritz
Different types who wear a day
coat pants with stripes and cutaway
coat perfect fits
Puttin' on the Ritz
Dressed up like a million-dollar trooper
Tryin' hard to look like Gary Cooper (super duper)
Come let's mix where Rockefellers
walk with sticks or um-ber-ellas
in their mitts
Puttin' on the Ritz

Have you seen the well-to-doUp and down Park AvenueOn that famous thoroughfareWith their noses in the airHigh hats, and arrow collarsWhite spats, and lots of dollarsSpending every dimeFor a wonderful time

If you're blue and you don't know
where to go to why don't you go
where fashion sits
Puttin' on the Ritz
Different types who wear a day
coat pants with stripes and cutaway
coat perfect fits
Puttin' on the Ritz
Dressed up like a million-dollar trooper
Tryin' hard to look like Gary Cooper (super duper)
Come let's mix where Rockefellers
walk with sticks or um-ber-ellas
in their mitts
Puttin' on the Ritz

(tap dance break)

Dressed up like a million-dollar trooperTryin' hard to look like Gary Cooper (super duper)
If you're blue and you don't know
where to go to why don't you go
where fashion sits
Puttin' on the Ritz
Puttin' on the Ritz
Puttin' on the Ritz
Puttin' on the Ritz

Move...
Move...

Gotta dance
Gotta dance...

If you're blue and you don't know
where to go to why don't you go
where fashion sits
Puttin' on the Ritz...
Puttin' on the Ritz...
Puttin' on the Ritz...